Showing posts with label painting. Show all posts
Showing posts with label painting. Show all posts

Monday, 22 January 2018

~ shutdown.

Lights in my brain
Won't stop flickering
Voices in my head
Won't stop bickering
My blanket smells of 
Bedbug spray
"It'll go away," that's 
What they say,
It never goes away.
I cannot escape all my fears
And all my loves just end in tears,
And nightmares from when I was young
They haven't gone away.
My stomach is too acidic
Sometimes my tongue is acerbic,
I've hurt too many, said too much,
Too many parts to play
Nothing has gone away.
Why is my mind out of control?
Why can't it do just what it's old?
The sun is green, the nights not gold,
Winter warm, and summers cold,
Perhaps this is the price I'll pay
That never goes away.

~ V. S. Gupte, January 2018.

Sunday, 20 November 2016

Blue.

To write stories these days, I use an app on my phone, because I don't want to get out of bed and turn my laptop on and type that address in, because I know I will type in the wrong address. I will go somewhere I had never meant to be. I am, now, the laziest person I have ever seen. Lazier than I have ever been.


In four days I have exams. I have not studied for the past two days. I should, but I don't, and I don't know why. Maybe it's because I find that I discover how I should have done something long after I have had to do it already.

The app on my phone lets me change colours. Lately all my notes have been blue. Blue because that is the colour that most intrigues me, for reasons I cannot say. Blue because blue is the colour of a picture that I see on my screen every day. Blue because my profile picture on Facebook is blue (maybe that blue has reasons too). Blue because blue is the opposite of red, and there has been too much red in my life for the last few days. Red in my journal. Red in my notebook. Red on my screen, because of Quora. Red in my room, because of my blanket and my towel. Red in my blood.

Blue because I have a blue bed-sheet that has the Wimbledon logo all over it (no, I don't watch tennis). Blue because...deep down inside, I am green and blue. Blue-green is the colour of the sea. The sea is where I would rather be. Instead of this concrete excuse for greenery, and scenery, I would much rather be real. Blue because blue is the colour of pretence. I pretend. I pretend I know where I am going. I pretend I believe in the things I used to believe. I pretend I know how to help you.

Blue because these past few days, you and I have been blue, sad. You are bluer than I am. I painted myself blue to match the opposite colour of one of your shirts. Inside I am green. Green will give you hope. Paint yourself green, and be green with me. It'll be fun. It'll be new, for you. And as much as I hate to use the word--it'll be--fresh. Fresh as the grass that you have not set foot on for more than a week. Fresh as the grass I was rolling around in just yesterday. Fresh as the grass I had to wash off my feet. It is already half past nine in the morning and I am--I am--dead beat.

You have too much red in your life, too. The scars on your heart are red. The scars on your heart have the opposite colour to my handkerchief. Maybe that's why I can't wipe them off, because I read somewhere that you have to fight fire with fire. The scars on your heart are there because your heart was broken a while ago. A while feels like a long, long time ago. A while feels like yesterday. Fire is red.
On some nights, the moon is red. On other nights, it is white. That means you can draw anything on it. What do you draw? I draw green. I draw a cabin in the woods, a cabin made of wood, with a bed and a fireplace and a chimney and cheese and potatoes. Burnt potatoes. Slightly burnt potatoes, to remind you of a distant past. When is the past distant and when is it close? I am cheesy. Am I too cheesy? Do I make you sick to your stomach or do I make you feel delicious? Am I cheesy, or am I just cheese? Do I ask too many questions?
But you said the questions are more important than the answers. Does that mean you would rather not find the answers to some questions? Do I ask too many questions?
Blue because I believe that if you paint yourself enough--or maybe--if I paint you more than enough, you will be green again. Maybe you don't want to be green. Maybe you want to be white--blank, so you can draw yourself again. White, so that you can fill in the colours again. Or colour outside the boundaries of what you have drawn. There are no rules, here, with me. But there are no rules only for you. Are you white because you want to wipe yourself off? Please don't. There will be scars on my heart if you do that. And they will be red. And I don't like red. Because I am blue now. I will stay blue until you remove your blue, even though I know that wiping colours off of yourself is not something you or I, or anybody for that matter, can do. If that is the case, then wipe the colours off me. Turn me black, because black is everywhere. That means I will never leave you. That means I will stay with you forever. How long is forever? Blue because blue is a part of black, and I would much rather be black than green, if that is what suits you. Suits are black, too.
Blue because blue is royal and fancy. And we are fancy; even though we may not be royal. We are simple beings, of things that look worse than stardust. We are, probably, just dust. But your dust is beautiful and poetic, and broken, and sad, and...and please tell me how to break my dust too. Then we can glue your dust back together. Your dust doesn't need surgery. It needs paint. Your dust is blue. Paint over it. Paint inside it. Paint everything with yourself so that wherever I go, you are still there. This does not mean you should wipe yourself off. Don't wipe yourself off. Okay?
Okay. Now it is time for me to go. Now it is time for me to paint. Paint with words. Paint the gloomy dark suburbs of my soul. You, you paint your sole. That needs painting too. Paint it the colour of you. Now that I think about it more--you are probably not very blue. Maybe you are black. Maybe you are who I have been looking for. Now I am awake. I was sleeping before. For twelve hours. Now I am awake enough to paint you. Don't leave before I finish. I know she has painted you blue. I will paint you green...I will paint you white. I will paint you starry. I will paint you everything. Maybe you are my paint.
I am your paint. I will always be your paint. I will never be your pain. Don't leave before I leave. I will never leave. Now I must go. You are still blue. I have to buy paint.

Tuesday, 30 December 2014

Carnival: Part Two

Hello everyone, this is the second part of the short story I'd started writing.  For Part One of Carnival, please click here.





Part Two



Robin chuckled to himself as he remembered his plan; he'd almost forgotten it for a few minutes there.  He'd left the painting in his studio in plain sight: heck, you could even see it from the roof of the Carnival Tower if you wanted to. Of course, she hadn't known that. She probably thought she'd stolen it.

He wondered if she herself would recognize the signs she kept talking about: signs someone is lying to you, signs someone is feeling uncomfortable, signs someone is in love with you--he smiled and grabbed her diary off of his desk, and turned to the last story.

It was called “Carnival".

Nice story--I've read it once, he thought, but I'd still like to read it again.  It was about two people, Jason and Rita, and each was madly in love with the other, but neither could work up the courage to share the way they felt.

Kind of like us, he thought--and corrected himself-- like me.  He still didn't know if she loved him.  He read on.

Rita was a writer, and Jason was a painter. Rita liked rainbows and starry nights and dreamed of falling in love one day (with one particular person), while Jason loved watching the sunsets, and generally busied himself with thoughts about weaving the things she liked into one of his own paintings: nothing too conspicuous, just a faint rainbow with daisies in the foreground, the sun still hiding behind the puffy white clouds.

They had met on a park bench on a sunny Saturday afternoon, and just when neither of them had felt the day could get any better, it did.  


And after that, of course, there was the usual exchange of phone numbers and the phone calls that went long into the starry nights, and secret meeting places, too.  The rocky patch near the creek in the forest was their favourite.  After Jason finished art school and Rita, her degree in English Literature, they would spend a large part of their days together, him painting, and her conjuring a story out of what she saw and believed.  




Robin sighed.  Jason and Rita--although they were characters in a story--had found happiness in each other, a kind of happiness he would, possibly, never find, and he didn't know if it--


That's it, he thought, and stopped himself.


To hell with this 'what if she doesn't love me' nonsense!  If she does, excellent, and if she doesn't, I can always move on.  No big deal.


He carefully placed the diary back on the table, wrote out a note for Laura, and grabbed his bike and sped off to the candy store.



*




(To be continued...)

Sunday, 7 December 2014

Carnival: Part One

Part One


 



“If you have even one solitary light guiding you, remember, you are not alone in the tunnel of darkness. But even if you have no candles to light your path, look skyward, and rebehold the stars.  They will be your companions."



He remembered the words Laura had written in her little black book. 

Laura.

The girl with hair as dark as black coffee, who wore the same shirt every morning she opened the candy store at eight in the morning. 
Laura, with her beautiful stories and her pretty, sad smile.

“Believe in yourself!" the sea-blue coloured shirt read. A powerful message worn by a not-so-powerful woman.

But now, he had not seen her in a week. He wondered where she was--he missed her, and although they hadn't talked much, he had guessed everything about her, because of the little black book she'd left on the counter by mistake--or had it been intentional? As far as he knew from the book, Laura was not the kind of person who'd leave her things lying around, unless, of course, she had wanted someone to see them. Maybe she had left it for someone else? Mr. Marlon, perhaps?  The idea puzzled him. Mr. Marlon was reserved, unwilling to share his thoughts with even the closest of his acquaintances. Were Laura and Marlon friends of some sort? No, they couldn't be.



Could she have left it for a customer? He discarded the idea, it had too many variables.


She must have left it for him.

He shook his head, not wanting to distract himself from his painting of the end of a dark tunnel. He would have time to think about it later.

He looked around the room, feeling something was amiss, but maybe it was just because he'd been thinking of Laura.
                                                                       
   *

She sat on the hard, wooden chair she had got from the old lady across the street.  Stealing the painting had been easy--(what kind of artist keeps his studio unlocked when he's going to be outside for the whole day?)--the hard part was looking at it. She examined the masterpiece in her hands. Every stroke, every colour was perfect, just as she had imagined it. The snow, a grayish pearly white, the trees, bare, the sun, nonexistent within the painting, and her heart, broken.

No, he doesn't know about that.... Or does he? He could have found out from Mr. Marlon, for all she knew. 

But then he never talked to the old man except if he wanted him to pose for a portrait. Even then, the exchanges had been minimal.



The only question now was if he'd been clever enough to take her diary off the counter that day.




She noticed he had signed his name--Robin--in the corner of the painting, in black.



Every story she had ever written was about him, every last one. He was not mentioned in the most obvious of ways--by his name--but she had made sure all of them included things he liked-- the sunset, snow, children ice skating, shafts of sunlight cutting through the gaps in the leaves in autumn. She had been daring enough to make two of her characters, Jason and Rita--very similar to herself and Robin--fall in love.  That was the last story she'd written in the book.



She'd called it "Carnival".









To be continued....

~ migration.

Dear Reader, (If anyone has happened to chance upon this rather not-so-very-secret diary of mine) it is my simultaneous pleasure and occa...